- #HEAVYOCITY EVOLVE TORRENT PATCH#
- #HEAVYOCITY EVOLVE TORRENT SOFTWARE#
- #HEAVYOCITY EVOLVE TORRENT TV#
Each category has a 'Full' patch and three 'Elements' folders the Full loops (which number 195 in all) are made up of between three and five layered elements, each of which is a full-blown loop in its own right. The loops are divided into four stylistic categories: Epic Organic, Epic Tech, Industrial and Mangled Pop. Heavyocity have grandly titled the first section Rhythmic Suites, a rather highfaluting name that belies the wild, banging nature of some of the material it contains. The library is divided into two main sections, the first containing loops and the second housing single hits. Full Loopsįloor and rack toms of all sizes, played by three players simultaneously to create Damage's heavyweight Tom Ensembles. This reduces all the patches' RAM consumption by 50 percent, and also means that the samples require only 14.9GB of disk space. An advantage of this system is that the samples remain compressed when loaded into RAM, with decompression occurring only at the playback stage. The library's 30GB of samples have been losslessly compressed using NI's NCW (Native Compressed Wave File) algorithm, which uses a 2:1 compression ratio.
#HEAVYOCITY EVOLVE TORRENT SOFTWARE#
The sample quest culminated in a Connecticut junkyard, where the producers captured clanking metals, exploding car windscreens and even falling school buses!ĭamage is formatted exclusively for Kontakt 5 and the free Kontakt 5 Player software for the Player is included with the library, and can also be downloaded from Native Instruments' web site. Later sessions took place in a lively-sounding, 1000 square-foot wooden room at New York's Skyline Studios, while more intimate and detailed sounds were recorded in Heavyocity's own studio. The reverberant acoustics of this old building provided the requisite large, ambient room sound for drummer Mike Mangini's performances. Recording sessions for Damage began at 'The Church', a facility owned by Prism Sound Studios of Massachusetts. Hundreds of rock, ethnic, industrial, electronic, junkyard and 'found sound' percussion sources were used, often in tandem with extreme processing, with a view to making the samples as aggressive and in-your-face as possible. The Heavy guys' latest offering fulfils its threatening title by focusing on hard-hitting percussion, with the emphasis on big, explosive impacts.
(See the SOS reviews at /sos/oct08/articles/heavyocityevolve.htm and /sos/sep11/articles/evolve-mutations.htm.) Back in 2008, they brought us the film-friendly Evolve sample library this was followed in 2011 by the all-new sequel Evolve Mutations, and its evil twin Evolve Mutations 2.
#HEAVYOCITY EVOLVE TORRENT TV#
As well as collectively trading under the name of Heavy Melody to produce music and sound design for film, TV and video games, the trio are also the driving force behind the virtual instrument company Heavyocity Media. If you're wondering where you've seen the name before, Heavyocity are the US team Neil Goldberg, Dave Fraser and Ari Winters. Happily for them and the rest of us, Damage, the new sound library-cum-virtual instrument from Heavyocity, combines all three. I'd also wager that the same composers wouldn't turn up their noses at some driving, hard-edged rhythm loops, nor turn their backs on a large collection of iconoclastic percussive sounds, noises, textures, hits and kits. just putting a 'bang' in the soundtrack which would make anybody jump, but that's not actually clever film‑making.” (*A cinematic term meaning 'relating to the characters' inner world or narrative'.)Ĭlever film-making it may not be, but there can't be many media composers who would spurn the opportunity to insert a gratuitous bang in their soundtracks if it helped the screen action along a bit. One of the many things that irked the guest was the film's soundtrack: "They made you jump by having extra, diegetic* sound, by making a loud noise that had nothing to do with the story.
One of the so-called 'cultural connoisseurs' on the BBC's Review Show the other night was complaining about the recent Hammer film adaptation of Susan Hill's terrifying novel The Woman In Black (starring, as you will have heard, Daniel Radcliffe, lead squirt in the notoriously under-performing Barry Rotter film series). The main screen of Damage's Kontakt 5 user interface. Pass the earplugs, it's Heavyocity's new library! Big bangs, shattering impacts, unabated racket, sonic mayhem, deliberate destruction.
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